What changes does Laurie’s mother observe in her son the day he starts kindergarten?

Laurie's mother notices that her son becomes bolder. Laurie is no longer the timid "sweet-voiced nursery-school tot" of a year ago. In his place is a loud and often brash character whom Laurie's mother does not recognize.
At the end of the first day of kindergarten, Laurie slams the front door after entering the house. Then, he loudly asks whether anyone is home. At lunch, Laurie speaks rudely to his father and spills his baby sister's milk. In short, Laurie seems to have morphed overnight into a loud, sarcastic character who delights in shocking his parents.
Laurie's mother notices that her son particularly likes talking about Charles, a seemingly recalcitrant classmate. During their conversations, Laurie blames Charles for every disruption endured by his kindergarten class. To Laurie, Charles is a larger-than-life character. He never needs to wear a jacket, and he even has the temerity to kick the teacher's friend.
It is only when Laurie's mother attends the P.T.A. meeting that she makes an important discovery: there is no Charles in Laurie's classroom. This means that Charles is Laurie's alter ego; he is a character crafted to help him navigate the strange new world of kindergarten.


On the day that Laurie starts kindergarten, his mother notices a lot of big changes in her son. First of all, Laurie exhibits physical changes; this is shown by the way he dresses. He is no longer interested in wearing "corduroy overalls," for example, and instead chooses jeans and a belt.
In addition, his demeanor changes. Laurie's mother describes him as "swaggering," for instance, a word which suggests confidence and maturity.
We can also see changes in Laurie's relationship with his mother. Instead of being accompanied by her, Laurie goes to kindergarten in the company of an older child. He also forgets to say goodbye to his mother.
On Laurie's first day, then, he experiences a number of changes which suggest that he is quickly maturing from a dependent infant to a very confident child.

Comments

Post a Comment

Popular posts from this blog

How does Bilbo show leadership and courage in The Hobbit?

Bilbo’s increase in confidence and courage is the defining aspect of his character arc. At the beginning of the novel, he is shut away content in his Hobbit hole, happy to remain separate and coddled from the rest of the world. In the movie, Bilbo chooses to join the dwarves on their quest out of a sense for adventure. In the book, however, Bilbo wants nothing to do with them and only joins because he had been duped into signing a contract. Despite being on the adventure somewhat against his will, Bilbo still proves himself time and again, saving the dwarves from the spiders, the trolls, and a number of other dangers they encounter along the way. Bilbo’s character arc has even been cited as a sort of Christian metaphor for the growth of the soul, though how much Tolkien intended on this front is up for debate. From a thematic standpoint, the ring of invisibility also plays into Bilbo’s brand of bravery. If Hobbits are the overlooked creatures of Middle Earth, then it is noteworthy that...
Read more

In “Goodbye to All That,” Joan Didion writes that the “lesson” of her story is that “it is distinctly possible to remain too long at the fair.” What does she mean? How does the final section of the essay portray how she came to this understanding, her feelings about it, and the consequences of it?

In this classic essay, Didion describes moving to New York City from her native Sacramento at the age of twenty-one, and, as she freely admits, a somewhat naive twenty-one, her mind, "programmed by all the movies I had ever seen and all the songs I had ever heard about New York," with the typical feeling, at that age, that, "nothing like this...has ever happened to anyone before." Intending to stay for only six months, she falls in love with the city. As she says, "I do not mean 'love' in any colloquial way, I mean that I was in love with the city the way you love the first person who ever touches you and never love anyone quite that way again." This initial love led her to prolong her residency, since, "I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month." But as the next years roll past, and the "new faces" she encounters...
Read more

Why does the poet say "all the men and women merely players"?

It's one of the most famous lines in literature: All the world's a stage,And all the men and women merely players . . . This famous saying comes from Shakespeare's play As You Like It, and it's spoken by Jacques. What he's saying here is that simply going about our daily lives is a type of performance. Just like actors on a stage, we all have roles to perform: Daughter. Student. Sister. Captain of the soccer team. The fact that Shakespeare writes that men and women are merely players suggests that the roles are preordained and that a person's choice in being a mother, for example, or a doctor or starting point guard for the Brooklyn Nets is out of their hands. What roles a person performs over the course of their lifetime is up to fate. The notion that "all the world's a stage" has entered pop culture, but within the context of the play, this idea does not sit well with Jacques. He's a pessimist, and the idea that everything is up to fate makes...
Read more